Final Cut Pro X: Making the Transition

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He then shows us how easy it is, even for a novice Motion user, to modify the default transition and then publish it to Final Cut Pro X. The take-away from this episode is two-fold. First, the way to create custom effects and titles, transitions, and generators in Final Cut Pro X is to open an existing one in Motion, modify its settings, and publish it as a copy — or build your own from scratch.

And second, while it may feel intimidating to open another application, Motion is in reality quite approachable and modifying or creating simple effects is a great way to start to experiment with this powerful application. Who knows, maybe you'll become excited about all the possibilities of creating your own effects that Motion offers? Get access to our latest and featured articles from your favorite authors, wherever you are, directly on your phone! Toggle navigation Menu. How do you customize effects in Final Cut Pro X? Support ProVideo Coalition.

The edits are nondestructive, and you can always restore a part of a clip after you trim it. One of Final Cut Pro X's key features, Compound Clips, lets you group together clips, audio, and effects so that you can move them as a unit and everything will stay in sync. This really unclutters the timeline, by showing just a single clip for the compound. You can easily expand the Compound clip at any time for further tweaking, separating it into its component elements—nothing is permanently flattened or joined in the compounding process.

It's a handy way to deal with complex combinations of elements. Another clever innovation that lets you save space on the timeline is Auditions. When you drag a new clip on top of one already in the timeline, you get the option of adding it as an Audition. Think of it this way: Say you shot five takes for an opening scene for your wedding video. This little Auditions viewer lets you create a simple way to line up comparisons of all your choices. Just open the Audition window, select a track, and then play the overall video with the auditioning clip in place.

Change clips and repeat until you see which one works better with your overall production.

How to Install Final Cut Pro X Transitions Presets

It's very cool. Once your clips are all in place, you can fine-tune and bling them with Final Cut's rich collection of color tools, transitions, effects, and text tools. For starters, you get customizable video effects and audio effects. Quite a few third-party plug-ins are also now available for Final Cut. Once installed, it looks just like part of the program, with its choices appearing in the Effects panel, rather than requiring its own window as some plug-in interfaces in other products do.

Final Cut comes with over transitions of its own, and the ability to search by transition name is helpful, given how many choices there are. Adding the most commonly needed type, cross-dissolve—can be done with a keyboard shortcut. Transitions are easy to add—instead of having to create a secondary story line yourself, there's a one-step transition insertion for connected clips. Both effects and transitions are of high quality. You can set default video and audio effects that you can summon with a single keyboard combo, and save custom effects as presets.

The Flow transition is a great tool when your editing jump cuts. This makes those edits for removing slips of the tongue in interviews much smoother. I tested this on footage of an interview with our mobile guru, Sascha Segan, and the result was remarkable. Even though I cut out several words in the middle of a sentence, the Flow tool made the cut invisible.

His head showed no motion at all, even though he had moved slightly in the part I cut out. The Flow tool simply filled in the missing bits, smoothing over the gap. This is an impressive tool. In my testing, I found it easy to crop, rotate, resize, move, and do 3D skews on clips right in the preview window using handles. Composite picture-in-picture effects didn't slow down playback, as you see in some other video editing software, such as Pinnacle Studio.

Final Cut does wonders with color correction. You can either have the app automatically balance color, saturation, and exposure, or use the Color Adjustment panel to manually adjust them. The panel has a color picker to set a clip's color values, saturation, and exposure, each of which you can apply separately to shadows, mid-tones, highlights, or everything.

New for version These have a puck in the middle that lets you move an image towards green, blue, or red, showing the result on the side of the wheel. You can also adjust brightness and saturation with the wheels, and separately control everything with the Master wheel , or just shadows, midtones , or highlights. It's a remarkably powerful and intuitive set of tools, and more usable than Adobe Premiere Pro's equivalent color wheel tools.

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If Final Cut's wheels are not to your taste, the Color Board shows a linear view of your color settings. The color scopes now adapt to HDR editing, as do the color editing tools. Forum :: Topic: FCPX Transition not in between clips (1/1)

Supported formats include Rec. To get even deeper into the weeds of color correction, the new Color Curves tool lets you use multiple control points to adjust each of the three primary colors for very specific points on the brightness scale. Luma, Vectorscope, and RGB Parade monitors give you incredible insight into your movie's color usage. You can even edit a single color value using a dropper. These effects can be combined with others in a stacked arrangement.

Alex4D Animation Transitions

The Match Color feature lets you transfer color and exposure characteristics from one clip to the rest to give your project a consistent look and adjust specific areas of the image based on selected color or a mask. The Color Balance tool, according to Apple, can "increase contrast and remove color casts while making skin tones appear more natural.

The Touch Bar changes its appearance based on what you're doing in the application. It's nifty to see your timeline tracks or color options on the Touch Bar. Below, you can see three Touch Bar displays, for basic editing, timeline scrubbing, and text customization.

10 transition tips for Final Cut Pro X

These and many other versions of the Touch Bar show up automatically to expose tools that might be otherwise hidden in the menu. It's a great tool for beginners.

It might also be a good tool for higher-end users, too, but I can't help wonder if long-time Final Cut editors might be resistant to it. The biggest issue is that when you're working on a project, your eyes are intensely focused on the screen, not on the keyboard. And most video editors have the basic editing keyboard shortcuts in muscle memory by this point, so moving your gaze from the video content down to the keyboard introduces a disconnect in your workflow.

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  • Still, it's a good optional tool. If you just want to be able to scrub through a video with your finger, you could do this in Adobe Premiere Elements on a Windows 10 touch-capable display without taking your eyes off the screen. Yes, the Touch Bar is close to the screen, but I find that while I'm looking at that bright, beautiful display, I'm usually not even aware of what's on the Touch Bar.

    Of course, if I worked with it long enough, that would probably change. If you think of it as an additional option rather than an essential part of the Final Cut interface, there's really no downside to Final Cut's support for it. For those who don't have deeply ingrained habits—or who are willing to make new ones—the Touch Bar might end up being highly efficient and useful. Titling is also simple and powerful in the latest version of Final Cut.

    You get lots of control over title overlays, with animation templates. You edit text and position, and size the titles right in the video preview; there's no need for an external title editor. Though Final Cut Pro X has no instant movie feature like those you find in most consumer video editors, it does offer Themes, which are really just pairings of transitions and titles that work well together. Final Cut's 3D Titles are a lot of fun. There are eight basic 3D templates and four more Cinematic ones, including a cool 3D Earth choice, for your sci-fi projects. There are 20 font presets, but you can use any style and size you like. Materials like concrete, fabric, plastic, and so on can give your titles any texture you desire.

    You also get a bunch of lighting options, such as Above, Diagonal Right, and so on. You can then position and rotate the text to taste on three axes. Even messing with 3D to this extent requires a powerful compute. I found myself looking at the pinwheel and dropping frames in playback on my test Touch Bar controls facilitate changing font settings like size and color, for those editing on a new MacBook Pro. In the You can also preview them in the video preview window, as well as position and format them with a choice of colors. On export, you can embed the captions into the video file or include them in a separate sidecar file.

    You can also send captioned projects to Compressor, which can make them iTunes Store—ready.

    FCPX Brush Glow

    Final Cut Pro X's chroma-keying effect works better than that of any Windows video editor I've used, performing admirably in testing, even given some imperfect green-screen lighting in the source. My background was nearly perfectly removed for transparency.

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    • Though Premiere Pro offers more adjustment choices with its Chroma-Key effect, I couldn't tune all its adjustments to get as good a result as Final Cut delivered off the bat. And, in any case, Final Cut offers more control, letting you refine the sample color, edges, strength, spill level, mix, and more. But it's the Color Selection tool that really makes Final Cut state of the art in chroma-key. This presents a color wheel with the matted color range, letting you visually adjust it to include more or less of a color range. Audio editing is another strength of Final Cut Pro X.

      The second tutorial shows you how to use the PremiumVFX background generators for Final Cut Pro to help you set the stage for the main animation! Learn how to use Stupid Raisins Review Pop to add ratings and reviews to your FCPX videos, and recreate the look of popular websites where customers leave reviews. Learn how to use Kingluma Granularity in FCPX to add realistic film grain to your video for a warm, organic look, with this quick tutorial. In this webinar replay, learn about all the new features inside Sapphire, Continuum and Mocha Pro You may remember him from Curious Turtle training videos.

      In this tutorial, learn how to use the animated pointers, pins, indicators and markers in Stupid Raisins Pointer Pop to callout out certain parts of your Final Cut Pro video.